By Brunella Antomarini, Adam Berg, Alain Cohen, Rob Spruijt, Erith Jaffe-Berg, Miltos Manetas, Alessandro Lanni, Roberto Diodato, Domenico Parisi, Teresa Iaria, Peter B. Lunenfeld, Ysamur Flores Pena
Aesthetics in current destiny: the humanities and the Technological Horizon is a set of essays via students and some artists who specialize in the problem of the way arts both swap while conveyed via new media (such because the internet, 3D printers, and video clips) or are easily subtle by way of them. The individuals’ analyses describe how either digital construction and digital communique swap our attitudes towards what we name the humanities. The scope of the subjects levels from images to cinema and portray, from theater to avant-garde artwork and web artwork, and from development of robots to simulation of mind features. the result's an miraculous variety of latest percentages and hazards for the humanities, and new views relating to our wisdom of the world.
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Additional resources for Aesthetics in present future : the arts and the technological horizon
Emotional states are “felt” states because of these inputs from the body due to the interactions of the emotional neural circuit with the rest of the organism’s body. But what interests us here is that the changes which occur in the external shape, color, sound-producing organs, and movements of an individual’s body as a consequence of the activation of the individual’s emotional circuit can be perceived by another individual. In this way emotional states are not only subjectively felt but they are also expressed and made accessible to others.
Will the kind of exchange that the Web offers ultimately replace actual commercial fetish value as experienced in a social space? 36 Will it entail the decay of consumerism or a birth of a new one? I see no evidence of the Web reducing consumerism. It may eliminate whole categories of shops (witness the decline of book stores and the devastation of video stores in the United States, for example), but global networks introduce new ways to meld leisure time with shopping—everything from commercial pop-ups in on-line television (click to purchase what the starlet is wearing) to the emerging marketplace for virtual goods (buy a magic axe from a professional Chinese gamer to outfit your World of Warcraft avatar).
In a unimediated environment, the ordered progression through time is replaced by a blended presentness—what literary theorists would refer to as the 38 triumph of the synchronic over the diachronic. One reason our faith in progress has waned even as the future continues to manifest itself on our desktops and in pockets stuffed with smart devices is that this blending produces what I call a state of permanent present, which impairs the facility to appreciate the present, much less produce a new, better future.
Aesthetics in present future : the arts and the technological horizon by Brunella Antomarini, Adam Berg, Alain Cohen, Rob Spruijt, Erith Jaffe-Berg, Miltos Manetas, Alessandro Lanni, Roberto Diodato, Domenico Parisi, Teresa Iaria, Peter B. Lunenfeld, Ysamur Flores Pena